Maria Grazia Guido. The Acting Interpreter: Embodied Stylistics in an Experientialist Perspective. Legas Publishing, New York, Ottawa, Toronto, 2013, 294 pp.

Autori

  • Maurizio Gotti Università degli Studi di Bergamo

DOI:

https://doi.org/10.1285/i22390359v15p327

Riferimenti bibliografici

Guido M.G. 1999, The Acting Reader: Schema/Text Interaction in the Dramatic Discourse of Poetry, Legas Publishing, New York/Ottawa/Toronto.

Guido M.G. 2005, The Imaging Reader: Visualization and Embodiment of Metaphysical Discourse, Legas Publishing, New York/Ottawa/Toronto.

Guido M.G. 2012, The Acting Translator: Embodying Cultures in the Dubbing Translation of American Sitcoms, Legas Publishing, New York/Ottawa/Toronto.

Johnson, M. 1987, The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason, Chicago University Press, Chicago.

Lakoff, G. 1987, Women, Fire and Dangerous Things: What Categories Reveal About the Mind, Chicago University Press, Chicago.

Langacker R.W. 1991, Foundations of Cognitive Grammar: Vol. II, Descriptive Application, Stanford University Press, Stanford.

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Pubblicato

29-12-2015

Fascicolo

Volume 15 (2015)

Sezione

RECENSIONI - Reviews

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http://creativecommons.org/licenses/by-nc-nd/3.0/it/legalcode