Volume 71 (2025) - Special Issue

Fulltext version

• Music and Discourse: Theoretical and Empirical Insights

  Laura Tommaso, Stefania M. Maci

  1-278

  • PDF

• Title Page

  1-2

  • PDF

• Table of Contents

  3-4

  • PDF

• Music and Discourse: Theoretical and Empirical Insights

  Laura Tommaso, Stefania M. Maci

  5-11

  • PDF

• Lines of Longitude and Latitude. Defining text genres in popular music discourse

  Michele Sala

  13-39

  • PDF

• America’s Greatest Rock Critic: A Corpus Stylistics Investigation on Lester Bangs’s Texts

  Gilberto Giannacchi

  41-62

  • PDF

• “I Remember when The Beatles Came”: A Corpus-Assisted Discourse Study of Women’s Musical Oral Histories

  Laura Tommaso

  63-89

  • PDF

• Pop song Lyrics through the Lens of Sociolinguistics. A case study of Bob Dylan’s Lyrics

  Giuliana Garzone

  91-112

  • PDF

• Sentiment and Emotions in Taylor Swift’s Albums. A Journey through the Eras

  Maria García-Gámez, Antonio Moreno-Ortiz

  113-134

  • PDF

• The Grammar of Dissent. Green Day’s Evolving Critique of American Society

  Stefania M. Maci, Silvia Bertulezzi

  135-159

  • PDF

• Punk Music, Discourse, and Culture. Exploring the Intersection with Edupunk

  Viviana Gaballo

  161-186

  • PDF

• Oppositional Music Mash Ups: Populist Manifestations in Online Criticism to UK Conservative Government Actions

  Lyndon Way

  187-206

  • PDF

• Multisensory Opera: Enhancing the Senses for and with Persons with Visual Disabilities

  Elena Di Giovanni

  207-222

  • PDF

• A Systemic-Functional Approach to Music, Meaning and Multimodal Transposition

  Diego L. Forte

  223-238

  • PDF

• The Close Link between Language and Music

  Patrice Larroque

  239-259

  • PDF

• “You Give Love a Bad Name”. Using Popular Song Titles to Teach Direct and Indirect Objects in English

  Michael J. Zerbe

  261-277

  • PDF

• Colophon

  278

  • PDF