William Russell, Wilkie Collins e la costruzione del poliziesco vittoriano. La professionalizzazione dell’indagine e la trasformazione narrativa di un genere

Autori

  • Salvatore Asaro

DOI:

https://doi.org/10.1285/i22390359v69p7

Parole chiave:

William Russell, Wilkie Collins, romanzo sensazionale, protopoliziesco, detection novel

Abstract

This article examines the contributions of William Russell and Wilkie Collins to the emergence of sensation fiction, a hybrid genre that anticipated key thematic and formal features of the Victorian detective novel. Through a comparative reading of “Legal Metamorphoses” and “The Biter Bit”, it highlights the shift from a normative, professionalised model of detection to one increasingly entangled with desire, narrative instability, and cultural anxiety. The figure of the investigator becomes a site of negotiation between authority and vulnerability, reflecting broader mid-nineteenth-century concerns about morality and institutional power. Rather than tracing a single point of origin, the article situates sensation fiction within a diffuse cultural and literary transition already underway in the 1850s.

Biografia autore

Salvatore Asaro

Salvatore Asaro, dottore di ricerca in Letterature comparate, è professore a contratto presso l’Università degli Studi della Tuscia (Viterbo). È autore di lavori su E.M. Forster, Christopher Isherwood e W.H. Auden. La sua ricerca si concentra prevalentemente sulla letteratura inglese dell’Otto-Novecento, sul rapporto che questa intrattiene con il mondo classico e su questioni traduttologiche. È membro della E.M. Forster Society e della Italian Oscar Wilde Society. Tra le altre cose, ha di recente tradotto e curato la prima edizione italiana del romanzo forsteriano Estate artica (Arctic Summer). Di recente è uscita la sua monografia Itinerari modernisti. Lo spazio nella narrativa di E.M. Forster.

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Riferimenti bibliografici

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Pubblicato

24-06-2025

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Sezione

STUDI - Articles